The post 2022 Academy Awards: “The Power of the Dog” Tops Nominations appeared first on Entertainment For Us.
]]>Netflix’s western drama broke several major records in its wake. It became the first film by a female director to receive over ten nominations. Jane Campion also made history as the first woman to receive directing Oscar nomination more than once. The Power of the Dog will be in the running in several acting categories, as well, with its main stars Benedict Cumberbatch, Kirsten Dunst, Jesse Plemons, and Kodi Smit-McPhee all receiving nominations.
Dune also had a great showing with a total of 10 nominations, and it will face The Power of the Dog in the best picture category. Belfast and West Side Story are also in the running with seven nominations each. Don’t Look Up, CODA, Drive My Car, King Richard, Licorice Pizza, and Nightmare Alley rounded up the list of best picture nominees.
The 94th Academy Awards are coming back to the Dolby Theatre in Los Angeles on March 27th, and the host of the ceremony is yet to be announced.
BEST PICTURE
Belfast (Laura Berwick, Kenneth Branagh, Becca Kovacik and Tamar Thomas, Producers)
CODA (Philippe Rousselet, Fabrice Gianfermi and Patrick Wachsberger, Producers)
Don’t Look Up (Adam McKay and Kevin Messick, Producers)
Drive My Car (Teruhisa Yamamoto, Producer)
Dune (Mary Parent, Denis Villeneuve and Cale Boyter, Producers)
King Richard (Tim White, Trevor White and Will Smith, Producers)
Licorice Pizza (Sara Murphy, Adam Somner and Paul Thomas Anderson, Producers)
Nightmare Alley (Guillermo del Toro, J. Miles Dale and Bradley Cooper, Producers)
The Power of the Dog (Jane Campion, Tanya Seghatchian, Emile
Sherman, Iain Canning and Roger Frappier, Producers)
West Side Story (Steven Spielberg and Kristie Macosko Krieger, Producers)
BEST DIRECTOR
Paul Thomas Anderson (Licorice Pizza)
Kenneth Branagh (Belfast)
Jane Campion (The Power of the Dog)
Ryûsuke Hamaguchi (Drive My Car)
Steven Spielberg (West Side Story)
BEST ACTRESS
Jessica Chastain (The Eyes of Tammy Faye)
Olivia Colman (The Lost Daughter)
Penélope Cruz (Parallel Mothers)
Nicole Kidman (Being the Ricardos)
Kristen Stewart (Spencer)
BEST ACTOR
Javier Bardem (Being the Ricardos)
Benedict Cumberbatch (The Power of the Dog)
Andrew Garfield (Tick, Tick … Boom!)
Will Smith (King Richard)
Denzel Washington (The Tragedy of Macbeth)
BEST SUPPORTING ACTRESS
Jessie Buckley (The Lost Daughter)
Ariana DeBose (West Side Story)
Judi Dench (Belfast)
Kirsten Dunst (The Power of the Dog)
Aunjanue Ellis (King Richard)
BEST SUPPORTING ACTOR
Ciarán Hinds (Belfast)
Troy Kotsur (CODA)
Jesse Plemons (The Power of the Dog)
J.K. Simmons (Being the Ricardos)
Kodi Smit-McPhee (The Power of the Dog)
BEST COSTUME DESIGN
Cruella (Jenny Beavan)
Cyrano (Massimo Cantini Parrini and Jacqueline Durran)
Dune (Jacqueline West and Robert Morgan)
Nightmare Alley (Luis Sequeira)
West Side Story (Paul Tazewell)
BEST SOUND
Belfast (Denise Yarde, Simon Chase, James Mather, and Niv Adiri)
Dune (Mac Ruth, Mark Mangini, Theo Green, Doug Hemphill, and Ron Bartlett)
No Time to Die (Simon Hayes, Oliver Tarney, James Harrison, Paul Massey, and Mark Taylor)
The Power of the Dog (Richard Flynn, Robert Mackenzie, and Tara Webb)
West Side Story (Tod A. Maitland, Gary Rydstrom, Brian Chumney, Andy Nelson and Shawn Murphy)
BEST ORIGINAL SCORE
Don’t Look Up (Nicholas Britell)
Dune (Hans Zimmer)
Encanto (Germaine Franco)
Parallel Mothers (Alberto Iglesias)
The Power of the Dog (Jonny Greenwood)
BEST ADAPTED SCREENPLAY
CODA (screenplay by Siân Heder)
Drive My Car (screenplay by Ryusuke Hamaguchi, Takamasa Oe)
Dune (screenplay by Jon Spaihts and Denis Villeneuve and Eric Roth)
The Lost Daughter (written by Maggie Gyllenhaal)
The Power of the Dog (written by Jane Campion)
BEST ORIGINAL SCREENPLAY
Belfast (written by Kenneth Branagh)
Don’t Look Up (screenplay by Adam McKay; story by Adam McKay & David Sirota)
King Richard (written by Zach Baylin)
Licorice Pizza (written by Paul Thomas Anderson)
The Worst Person in the World (written by Eskil Vogt, Joachim Trier)
BEST ANIMATED SHORT
Affairs of the Art (Joanna Quinn and Les Mills)
Bestia (Hugo Covarrubias and Tevo Díaz)
Boxballet (Anton Dyakov)
Robin Robin (Dan Ojari and Mikey Please)
The Windshield Wiper (Alberto Mielgo and Leo Sanchez)
BEST LIVE-ACTION SHORT
Ala Kachuu — Take and Run (Maria Brendle and Nadine Lüchinger)
The Dress (Tadeusz Lysiak and Maciej Ślesicki)
The Long Goodbye (Aneil Karia and Riz Ahmed)
On My Mind (Martin Strange-Hansen and Kim Magnusson)
Please Hold (K.D. Dávila and Levin Menekse)
BEST FILM EDITING
Don’t Look Up (Hank Corwin)
Dune (Joe Walker)
King Richard (Pamela Martin)
The Power of the Dog (Peter Sciberras)
Tick, Tick … Boom! (Myron Kerstein and Andrew Weisblum)
BEST MAKEUP AND HAIRSTYLING
Coming 2 America (Mike Marino, Stacey Morris, and Carla Farmer)
Cruella (Nadia Stacey, Naomi Donne, and Julia Vernon)
Dune (Donald Mowat, Love Larson, and Eva von Bahr)
The Eyes of Tammy Faye (Linda Dowds, Stephanie Ingram, and Justin Raleigh)
House of Gucci (Göran Lundström, Anna Carin Lock and Frederic Aspiras)
BEST ANIMATED FEATURE
Encanto (Jared Bush, Byron Howard, Yvett Merino, and Clark Spencer)
Flee (Jonas Poher Rasmussen, Monica Hellström, Signe Byrge Sørensen and Charlotte De La Gournerie)
Luca (Enrico Casarosa and Andrea Warren)
The Mitchells vs. the Machines (Mike Rianda, Phil Lord, Christopher Miller, and Kurt Albrecht)
Raya and the Last Dragon (Don Hall, Carlos López Estrada, Osnat Shurer and Peter Del Vecho)
BEST DOCUMENTARY FEATURE
Ascension (Jessica Kingdon, Kira Simon-Kennedy, and Nathan Truesdell)
Attica (Stanley Nelson and Traci A. Curry)
Flee (Jonas Poher Rasmussen, Monica Hellström, Signe Byrge Sorensen and Charlotte De La Gournerie)
Summer of Soul (Ahmir “Questlove” Thompson, Joseph Patel, Robert Fyvolent and David Dinerstein)
Writing With Fire (Rintu Thomas and Sushmit Ghosh)
BEST DOCUMENTARY SHORT
Audible (Matt Ogens and Geoff McLean)
Lead Me Home (Pedro Kos and Jon Shenk)
The Queen of Basketball (Ben Proudfoot)
Three Songs for Benazir (Elizabeth Mirzaei and Gulistan Mirzaei)
When We Were Bullies (Jay Rosenblatt)
BEST ORIGINAL SONG
“Be Alive” — music and lyrics by DIXSON and Beyoncé Knowles-Carter (King Richard)
“Dos Oruguitas” — music and lyrics by Lin-Manuel Miranda (Encanto)
“Down to Joy” — music and lyrics by Van Morrison (Belfast)
“No Time to Die” — music and lyrics by Billie Eilish and Finneas O’Connell (No Time to Die)
“Somehow You Do” — music and lyrics by Diane Warren (Four Good Days)
BEST CINEMATOGRAPHY
Dune (Greig Fraser)
Nightmare Alley (Dan Laustsen)
The Power of the Dog (Ari Wegner)
The Tragedy of Macbeth (Bruno Delbonnel)
West Side Story (Janusz Kaminski)
BEST INTERNATIONAL FEATURE
Drive My Car (Japan)
Flee (Denmark)
The Hand of God (Italy)
Lunana: A Yak in the Classroom (Bhutan)
The Worst Person in the World (Norway)
BEST PRODUCTION DESIGN
Dune (production design: Patrice Vermette; set decoration: Zsuzsanna Sipos)
Nightmare Alley (production design: Tamara Deverell; set decoration: Shane Vieau)
The Power of the Dog (production design: Grant Major; set decoration: Amber Richards)
The Tragedy of Macbeth (production design: Stefan Dechant; set decoration: Nancy Haigh)
West Side Story (production design: Adam Stockhausen; set decoration: Rena DeAngelo)
BEST VISUAL EFFECTS
Dune (Paul Lambert, Tristan Myles, Brian Connor and
Gerd Nefzer)
Free Guy (Swen Gillberg, Bryan Grill, Nikos Kalaitzidis and
Dan Sudick)
No Time to Die (Charlie Noble, Joel Green, Jonathan Fawkner and Chris Corbould)
Shang-Chi and the Legend of the Ten Rings (Christopher Townsend, Joe Farrell, Sean Noel Walker and Dan Oliver)
Spider-Man: No Way Home (Kelly Port, Chris Waegner, Scott Edelstein and Dan Sudick)
The post 2022 Academy Awards: “The Power of the Dog” Tops Nominations appeared first on Entertainment For Us.
]]>The post “The Power of the Dog” and “West Side Story” Win Big at 2022 Golden Globes appeared first on Entertainment For Us.
]]>The Power of the Dog came into the night as one of the front-runners and managed to win three awards out of seven nominations. In addition to best motion picture — drama, it also won accolades for best director (Jane Campion) and best-supporting actor (Kodi Smit-McPhee).
Steven Spielberg’s remake of West Side Story was equally successful in the comedy or musical field. It won the award for the best motion picture – musical or comedy, while its breakout stars Rachel Zegler and Ariana DeBose both walked away with acting awards.
It was also a big night for Succession, which topped the list of nominations with five nods and eventually won three awards – best drama series, best actor in a drama series (Jeremy Strong), and best-supporting actress in a series (Sarah Snook).
The Golden Globes took place at the Beverly Hilton on January 9th, without a live broadcast or any nominees in attendance.
BEST MOTION PICTURE – DRAMA
The Power of the Dog
Netflix
BEST PERFORMANCE BY AN ACTRESS IN A MOTION PICTURE – DRAMA
Nicole Kidman
Being the Ricardos
BEST PERFORMANCE BY AN ACTOR IN A MOTION PICTURE – DRAMA
Will Smith
King Richard
BEST MOTION PICTURE – MUSICAL OR COMEDY
West Side Story
20th Century Studios / Walt Disney Studios Motion Pictures
BEST PERFORMANCE BY AN ACTRESS IN A MOTION PICTURE – MUSICAL OR COMEDY
Rachel Zegler
West Side Story
BEST PERFORMANCE BY AN ACTOR IN A MOTION PICTURE – MUSICAL OR COMEDY
Andrew Garfield
Tick, Tick…Boom!
BEST MOTION PICTURE – ANIMATED
Encanto
Walt Disney Studios Motion Pictures
BEST MOTION PICTURE – NON-ENGLISH LANGUAGE (FORMERLY FOREIGN LANGUAGE)
Drive My Car (Japan)
Janus Films
BEST PERFORMANCE BY AN ACTRESS IN A SUPPORTING ROLE IN ANY MOTION PICTURE
Ariana DeBose
West Side Story
BEST PERFORMANCE BY AN ACTOR IN A SUPPORTING ROLE IN ANY MOTION PICTURE
Kodi Smit-McPhee
The Power of the Dog
BEST DIRECTOR – MOTION PICTURE
Jane Campion
The Power of the Dog
BEST SCREENPLAY – MOTION PICTURE
Kenneth Branagh
Belfast
BEST ORIGINAL SCORE – MOTION PICTURE
Hans Zimmer
Dune
BEST ORIGINAL SONG – MOTION PICTURE
“No Time to Die” — No Time to Die
Music by: Billie Eilish, Finneas O’Connell
Lyrics by: Billie Eilish, Finneas O’Connell
TELEVISION
BEST TELEVISION SERIES – DRAMA
Succession
HBO/HBO Max
BEST PERFORMANCE BY AN ACTRESS IN A TELEVISION SERIES – DRAMA
Mj Rodriguez
Pose
BEST PERFORMANCE BY AN ACTOR IN A TELEVISION SERIES – DRAMA
Jeremy Strong
Succession
BEST TELEVISION SERIES – MUSICAL OR COMEDY
Hacks
HBO/HBO Max
BEST PERFORMANCE BY AN ACTRESS IN A TELEVISION SERIES – MUSICAL OR COMEDY
Jean Smart
Hacks
BEST PERFORMANCE BY AN ACTOR IN A TELEVISION SERIES – MUSICAL OR COMEDY
Jason Sudeikis
Ted Lasso
BEST TELEVISION LIMITED SERIES, ANTHOLOGY SERIES OR MOTION PICTURE MADE FOR TELEVISION
The Underground Railroad
Amazon Prime Video
BEST PERFORMANCE BY AN ACTRESS IN A LIMITED SERIES, ANTHOLOGY SERIES, OR A MOTION PICTURE MADE FOR TELEVISION
Kate Winslet
Mare of Easttown
BEST PERFORMANCE BY AN ACTOR IN A LIMITED SERIES, ANTHOLOGY SERIES, OR A MOTION PICTURE MADE FOR TELEVISION
Michael Keaton
Dopesick
BEST PERFORMANCE BY AN ACTRESS IN A SUPPORTING ROLE ON TELEVISION
Sarah Snook
Succession
BEST PERFORMANCE BY AN ACTOR IN A SUPPORTING ROLE ON TELEVISION
O Yeong-Su
Squid Game
The post “The Power of the Dog” and “West Side Story” Win Big at 2022 Golden Globes appeared first on Entertainment For Us.
]]>The post “West Side Story” Wraps Production appeared first on Entertainment For Us.
]]>Production on Steven Spielberg’s West Side Story officially ended on September 28, and to mark the occasion the prolific director took to social media and shared some words of gratitude.
“This has been a journey without precedence: a joyful, stunning, moving, endlessly surprising encounter with the story and score of one of the world’s greatest musicals,” Spielberg wrote. “My brilliantly talented, fiercely committed, generous and apparently inexhaustible cast and crew of hundreds have given our film everything they’ve got, and already I can say that the film we’ll be releasing on December 18, 2020, owes everything to them as does its immensely grateful director.”
“The city lent us its beauty and its energy, and we drew deeply upon its grand, multicultural, multifaceted spirit,” he added. “To the people of New York and Paterson, thanks not only for putting up with our trailers, tents, cranes, and mid-street dance sequences; from the bottom of my heart, thanks for the warm welcomes we encountered everywhere, from pedestrians and policemen and neighborhoods and kids. We couldn’t have made our musical without you.”
West Side Story stars Ansel Elgort (Tony), Rachel Zegler (Maria), Ariana DeBose (Anita), and David Alvarez (Bernardo).
The post “West Side Story” Wraps Production appeared first on Entertainment For Us.
]]>The post Check Out a First Look at the “West Side Story” Remake appeared first on Entertainment For Us.
]]>A first look image was unveiled earlier this week by Spielberg’s Amblin Entertainment via social media.
Spielberg’s upcoming musical adaptation is based on the original 1957 Broadway musical, written by Arthur Laurents with music by Leonard Bernstein. It is set for release on December 18th, 2020.
The image features stars Ansel Elgort and Rachel Zegler as Tony and Maria as well as members of the rival gangs the Sharks and the Jets.
Pictured left is the Jets members Anybodys (Ezra Menas), Mouthpiece (Ben Cook) and Action (Sean Harrison Jones); Jets leader Riff (Mike Faist); and Baby John (Patrick Higgins). On the right is Maria’s brother and Sharks leader Bernardo (David Alvarez) and other Sharks members Quique (Julius Anthony Rubio), Chago (Ricardo Zayas), Chino (Josh Andrés Rivera), Braulio (Sebastian Serra) and Pipo (Carlos Sánchez Falú).
Spielberg is directing from a script penned Tony Kushner. David Newman will be arranging the score for the new adaptation and Gustavo Dudamel will helm the recording of the score.
The post Check Out a First Look at the “West Side Story” Remake appeared first on Entertainment For Us.
]]>The post 10 Musicals We Will Never Get Tired of Watching appeared first on Entertainment For Us.
]]>Rocky Horror Picture Show
Rocky Horror is an eccentric, sexually charged musical which features some absolute bangers. We will never tire of Tim Curry in tights.
Grease
Every time we think we’re over it, we end up getting sucked back in by the impossibly catchy tunes and lovable cast.
Little Shop of Horrors
What’s not to love about a musical about a blood-sucking plant?
Rent
It’s the go-to when we want to feel part of a bohemian revolution, and it’s also the go-to when we need a big ole cry.
West Side Story
We’re not going to pretend West Side Story isn’t totally dated and problematic in this day and age, but it’s still a classic.
Chicago
Because every good musical should leave you feeling like murdering your husband in cold blood is acceptable if he annoys you.
Annie
Annie remains one of the most endearing movies of all time to this day.
Hairspray
It’s colorful, kitchy and Tracy’s relentless optimism is infectious.
The Wizard of Oz
The Wizard of Oz was released in 1939 but it remains a timeless classic that we’ll happily watch on repeat.
Oliver!
Another timeless classic which has received many adaptations since Charles Dickens wrote the tales in 1837. The musical version is the best though.
The post 10 Musicals We Will Never Get Tired of Watching appeared first on Entertainment For Us.
]]>The post 2022 Academy Awards: “The Power of the Dog” Tops Nominations appeared first on Entertainment For Us.
]]>Netflix’s western drama broke several major records in its wake. It became the first film by a female director to receive over ten nominations. Jane Campion also made history as the first woman to receive directing Oscar nomination more than once. The Power of the Dog will be in the running in several acting categories, as well, with its main stars Benedict Cumberbatch, Kirsten Dunst, Jesse Plemons, and Kodi Smit-McPhee all receiving nominations.
Dune also had a great showing with a total of 10 nominations, and it will face The Power of the Dog in the best picture category. Belfast and West Side Story are also in the running with seven nominations each. Don’t Look Up, CODA, Drive My Car, King Richard, Licorice Pizza, and Nightmare Alley rounded up the list of best picture nominees.
The 94th Academy Awards are coming back to the Dolby Theatre in Los Angeles on March 27th, and the host of the ceremony is yet to be announced.
BEST PICTURE
Belfast (Laura Berwick, Kenneth Branagh, Becca Kovacik and Tamar Thomas, Producers)
CODA (Philippe Rousselet, Fabrice Gianfermi and Patrick Wachsberger, Producers)
Don’t Look Up (Adam McKay and Kevin Messick, Producers)
Drive My Car (Teruhisa Yamamoto, Producer)
Dune (Mary Parent, Denis Villeneuve and Cale Boyter, Producers)
King Richard (Tim White, Trevor White and Will Smith, Producers)
Licorice Pizza (Sara Murphy, Adam Somner and Paul Thomas Anderson, Producers)
Nightmare Alley (Guillermo del Toro, J. Miles Dale and Bradley Cooper, Producers)
The Power of the Dog (Jane Campion, Tanya Seghatchian, Emile
Sherman, Iain Canning and Roger Frappier, Producers)
West Side Story (Steven Spielberg and Kristie Macosko Krieger, Producers)
BEST DIRECTOR
Paul Thomas Anderson (Licorice Pizza)
Kenneth Branagh (Belfast)
Jane Campion (The Power of the Dog)
Ryûsuke Hamaguchi (Drive My Car)
Steven Spielberg (West Side Story)
BEST ACTRESS
Jessica Chastain (The Eyes of Tammy Faye)
Olivia Colman (The Lost Daughter)
Penélope Cruz (Parallel Mothers)
Nicole Kidman (Being the Ricardos)
Kristen Stewart (Spencer)
BEST ACTOR
Javier Bardem (Being the Ricardos)
Benedict Cumberbatch (The Power of the Dog)
Andrew Garfield (Tick, Tick … Boom!)
Will Smith (King Richard)
Denzel Washington (The Tragedy of Macbeth)
BEST SUPPORTING ACTRESS
Jessie Buckley (The Lost Daughter)
Ariana DeBose (West Side Story)
Judi Dench (Belfast)
Kirsten Dunst (The Power of the Dog)
Aunjanue Ellis (King Richard)
BEST SUPPORTING ACTOR
Ciarán Hinds (Belfast)
Troy Kotsur (CODA)
Jesse Plemons (The Power of the Dog)
J.K. Simmons (Being the Ricardos)
Kodi Smit-McPhee (The Power of the Dog)
BEST COSTUME DESIGN
Cruella (Jenny Beavan)
Cyrano (Massimo Cantini Parrini and Jacqueline Durran)
Dune (Jacqueline West and Robert Morgan)
Nightmare Alley (Luis Sequeira)
West Side Story (Paul Tazewell)
BEST SOUND
Belfast (Denise Yarde, Simon Chase, James Mather, and Niv Adiri)
Dune (Mac Ruth, Mark Mangini, Theo Green, Doug Hemphill, and Ron Bartlett)
No Time to Die (Simon Hayes, Oliver Tarney, James Harrison, Paul Massey, and Mark Taylor)
The Power of the Dog (Richard Flynn, Robert Mackenzie, and Tara Webb)
West Side Story (Tod A. Maitland, Gary Rydstrom, Brian Chumney, Andy Nelson and Shawn Murphy)
BEST ORIGINAL SCORE
Don’t Look Up (Nicholas Britell)
Dune (Hans Zimmer)
Encanto (Germaine Franco)
Parallel Mothers (Alberto Iglesias)
The Power of the Dog (Jonny Greenwood)
BEST ADAPTED SCREENPLAY
CODA (screenplay by Siân Heder)
Drive My Car (screenplay by Ryusuke Hamaguchi, Takamasa Oe)
Dune (screenplay by Jon Spaihts and Denis Villeneuve and Eric Roth)
The Lost Daughter (written by Maggie Gyllenhaal)
The Power of the Dog (written by Jane Campion)
BEST ORIGINAL SCREENPLAY
Belfast (written by Kenneth Branagh)
Don’t Look Up (screenplay by Adam McKay; story by Adam McKay & David Sirota)
King Richard (written by Zach Baylin)
Licorice Pizza (written by Paul Thomas Anderson)
The Worst Person in the World (written by Eskil Vogt, Joachim Trier)
BEST ANIMATED SHORT
Affairs of the Art (Joanna Quinn and Les Mills)
Bestia (Hugo Covarrubias and Tevo Díaz)
Boxballet (Anton Dyakov)
Robin Robin (Dan Ojari and Mikey Please)
The Windshield Wiper (Alberto Mielgo and Leo Sanchez)
BEST LIVE-ACTION SHORT
Ala Kachuu — Take and Run (Maria Brendle and Nadine Lüchinger)
The Dress (Tadeusz Lysiak and Maciej Ślesicki)
The Long Goodbye (Aneil Karia and Riz Ahmed)
On My Mind (Martin Strange-Hansen and Kim Magnusson)
Please Hold (K.D. Dávila and Levin Menekse)
BEST FILM EDITING
Don’t Look Up (Hank Corwin)
Dune (Joe Walker)
King Richard (Pamela Martin)
The Power of the Dog (Peter Sciberras)
Tick, Tick … Boom! (Myron Kerstein and Andrew Weisblum)
BEST MAKEUP AND HAIRSTYLING
Coming 2 America (Mike Marino, Stacey Morris, and Carla Farmer)
Cruella (Nadia Stacey, Naomi Donne, and Julia Vernon)
Dune (Donald Mowat, Love Larson, and Eva von Bahr)
The Eyes of Tammy Faye (Linda Dowds, Stephanie Ingram, and Justin Raleigh)
House of Gucci (Göran Lundström, Anna Carin Lock and Frederic Aspiras)
BEST ANIMATED FEATURE
Encanto (Jared Bush, Byron Howard, Yvett Merino, and Clark Spencer)
Flee (Jonas Poher Rasmussen, Monica Hellström, Signe Byrge Sørensen and Charlotte De La Gournerie)
Luca (Enrico Casarosa and Andrea Warren)
The Mitchells vs. the Machines (Mike Rianda, Phil Lord, Christopher Miller, and Kurt Albrecht)
Raya and the Last Dragon (Don Hall, Carlos López Estrada, Osnat Shurer and Peter Del Vecho)
BEST DOCUMENTARY FEATURE
Ascension (Jessica Kingdon, Kira Simon-Kennedy, and Nathan Truesdell)
Attica (Stanley Nelson and Traci A. Curry)
Flee (Jonas Poher Rasmussen, Monica Hellström, Signe Byrge Sorensen and Charlotte De La Gournerie)
Summer of Soul (Ahmir “Questlove” Thompson, Joseph Patel, Robert Fyvolent and David Dinerstein)
Writing With Fire (Rintu Thomas and Sushmit Ghosh)
BEST DOCUMENTARY SHORT
Audible (Matt Ogens and Geoff McLean)
Lead Me Home (Pedro Kos and Jon Shenk)
The Queen of Basketball (Ben Proudfoot)
Three Songs for Benazir (Elizabeth Mirzaei and Gulistan Mirzaei)
When We Were Bullies (Jay Rosenblatt)
BEST ORIGINAL SONG
“Be Alive” — music and lyrics by DIXSON and Beyoncé Knowles-Carter (King Richard)
“Dos Oruguitas” — music and lyrics by Lin-Manuel Miranda (Encanto)
“Down to Joy” — music and lyrics by Van Morrison (Belfast)
“No Time to Die” — music and lyrics by Billie Eilish and Finneas O’Connell (No Time to Die)
“Somehow You Do” — music and lyrics by Diane Warren (Four Good Days)
BEST CINEMATOGRAPHY
Dune (Greig Fraser)
Nightmare Alley (Dan Laustsen)
The Power of the Dog (Ari Wegner)
The Tragedy of Macbeth (Bruno Delbonnel)
West Side Story (Janusz Kaminski)
BEST INTERNATIONAL FEATURE
Drive My Car (Japan)
Flee (Denmark)
The Hand of God (Italy)
Lunana: A Yak in the Classroom (Bhutan)
The Worst Person in the World (Norway)
BEST PRODUCTION DESIGN
Dune (production design: Patrice Vermette; set decoration: Zsuzsanna Sipos)
Nightmare Alley (production design: Tamara Deverell; set decoration: Shane Vieau)
The Power of the Dog (production design: Grant Major; set decoration: Amber Richards)
The Tragedy of Macbeth (production design: Stefan Dechant; set decoration: Nancy Haigh)
West Side Story (production design: Adam Stockhausen; set decoration: Rena DeAngelo)
BEST VISUAL EFFECTS
Dune (Paul Lambert, Tristan Myles, Brian Connor and
Gerd Nefzer)
Free Guy (Swen Gillberg, Bryan Grill, Nikos Kalaitzidis and
Dan Sudick)
No Time to Die (Charlie Noble, Joel Green, Jonathan Fawkner and Chris Corbould)
Shang-Chi and the Legend of the Ten Rings (Christopher Townsend, Joe Farrell, Sean Noel Walker and Dan Oliver)
Spider-Man: No Way Home (Kelly Port, Chris Waegner, Scott Edelstein and Dan Sudick)
The post 2022 Academy Awards: “The Power of the Dog” Tops Nominations appeared first on Entertainment For Us.
]]>The post “The Power of the Dog” and “West Side Story” Win Big at 2022 Golden Globes appeared first on Entertainment For Us.
]]>The Power of the Dog came into the night as one of the front-runners and managed to win three awards out of seven nominations. In addition to best motion picture — drama, it also won accolades for best director (Jane Campion) and best-supporting actor (Kodi Smit-McPhee).
Steven Spielberg’s remake of West Side Story was equally successful in the comedy or musical field. It won the award for the best motion picture – musical or comedy, while its breakout stars Rachel Zegler and Ariana DeBose both walked away with acting awards.
It was also a big night for Succession, which topped the list of nominations with five nods and eventually won three awards – best drama series, best actor in a drama series (Jeremy Strong), and best-supporting actress in a series (Sarah Snook).
The Golden Globes took place at the Beverly Hilton on January 9th, without a live broadcast or any nominees in attendance.
BEST MOTION PICTURE – DRAMA
The Power of the Dog
Netflix
BEST PERFORMANCE BY AN ACTRESS IN A MOTION PICTURE – DRAMA
Nicole Kidman
Being the Ricardos
BEST PERFORMANCE BY AN ACTOR IN A MOTION PICTURE – DRAMA
Will Smith
King Richard
BEST MOTION PICTURE – MUSICAL OR COMEDY
West Side Story
20th Century Studios / Walt Disney Studios Motion Pictures
BEST PERFORMANCE BY AN ACTRESS IN A MOTION PICTURE – MUSICAL OR COMEDY
Rachel Zegler
West Side Story
BEST PERFORMANCE BY AN ACTOR IN A MOTION PICTURE – MUSICAL OR COMEDY
Andrew Garfield
Tick, Tick…Boom!
BEST MOTION PICTURE – ANIMATED
Encanto
Walt Disney Studios Motion Pictures
BEST MOTION PICTURE – NON-ENGLISH LANGUAGE (FORMERLY FOREIGN LANGUAGE)
Drive My Car (Japan)
Janus Films
BEST PERFORMANCE BY AN ACTRESS IN A SUPPORTING ROLE IN ANY MOTION PICTURE
Ariana DeBose
West Side Story
BEST PERFORMANCE BY AN ACTOR IN A SUPPORTING ROLE IN ANY MOTION PICTURE
Kodi Smit-McPhee
The Power of the Dog
BEST DIRECTOR – MOTION PICTURE
Jane Campion
The Power of the Dog
BEST SCREENPLAY – MOTION PICTURE
Kenneth Branagh
Belfast
BEST ORIGINAL SCORE – MOTION PICTURE
Hans Zimmer
Dune
BEST ORIGINAL SONG – MOTION PICTURE
“No Time to Die” — No Time to Die
Music by: Billie Eilish, Finneas O’Connell
Lyrics by: Billie Eilish, Finneas O’Connell
TELEVISION
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Jeremy Strong
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]]>Production on Steven Spielberg’s West Side Story officially ended on September 28, and to mark the occasion the prolific director took to social media and shared some words of gratitude.
“This has been a journey without precedence: a joyful, stunning, moving, endlessly surprising encounter with the story and score of one of the world’s greatest musicals,” Spielberg wrote. “My brilliantly talented, fiercely committed, generous and apparently inexhaustible cast and crew of hundreds have given our film everything they’ve got, and already I can say that the film we’ll be releasing on December 18, 2020, owes everything to them as does its immensely grateful director.”
“The city lent us its beauty and its energy, and we drew deeply upon its grand, multicultural, multifaceted spirit,” he added. “To the people of New York and Paterson, thanks not only for putting up with our trailers, tents, cranes, and mid-street dance sequences; from the bottom of my heart, thanks for the warm welcomes we encountered everywhere, from pedestrians and policemen and neighborhoods and kids. We couldn’t have made our musical without you.”
West Side Story stars Ansel Elgort (Tony), Rachel Zegler (Maria), Ariana DeBose (Anita), and David Alvarez (Bernardo).
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]]>A first look image was unveiled earlier this week by Spielberg’s Amblin Entertainment via social media.
Spielberg’s upcoming musical adaptation is based on the original 1957 Broadway musical, written by Arthur Laurents with music by Leonard Bernstein. It is set for release on December 18th, 2020.
The image features stars Ansel Elgort and Rachel Zegler as Tony and Maria as well as members of the rival gangs the Sharks and the Jets.
Pictured left is the Jets members Anybodys (Ezra Menas), Mouthpiece (Ben Cook) and Action (Sean Harrison Jones); Jets leader Riff (Mike Faist); and Baby John (Patrick Higgins). On the right is Maria’s brother and Sharks leader Bernardo (David Alvarez) and other Sharks members Quique (Julius Anthony Rubio), Chago (Ricardo Zayas), Chino (Josh Andrés Rivera), Braulio (Sebastian Serra) and Pipo (Carlos Sánchez Falú).
Spielberg is directing from a script penned Tony Kushner. David Newman will be arranging the score for the new adaptation and Gustavo Dudamel will helm the recording of the score.
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]]>The post 10 Musicals We Will Never Get Tired of Watching appeared first on Entertainment For Us.
]]>Rocky Horror Picture Show
Rocky Horror is an eccentric, sexually charged musical which features some absolute bangers. We will never tire of Tim Curry in tights.
Grease
Every time we think we’re over it, we end up getting sucked back in by the impossibly catchy tunes and lovable cast.
Little Shop of Horrors
What’s not to love about a musical about a blood-sucking plant?
Rent
It’s the go-to when we want to feel part of a bohemian revolution, and it’s also the go-to when we need a big ole cry.
West Side Story
We’re not going to pretend West Side Story isn’t totally dated and problematic in this day and age, but it’s still a classic.
Chicago
Because every good musical should leave you feeling like murdering your husband in cold blood is acceptable if he annoys you.
Annie
Annie remains one of the most endearing movies of all time to this day.
Hairspray
It’s colorful, kitchy and Tracy’s relentless optimism is infectious.
The Wizard of Oz
The Wizard of Oz was released in 1939 but it remains a timeless classic that we’ll happily watch on repeat.
Oliver!
Another timeless classic which has received many adaptations since Charles Dickens wrote the tales in 1837. The musical version is the best though.
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